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Usually ships in 1 business days | | | | | | In Lose Your Mother, Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.
The slave, Hartman observes, is a stranger--torn from family, home, and country. To lose your mother is to be severed from your kin, to forget your past, and to inhabit the world as an outsider. There are no known survivors of Hartman's lineage, no relatives in Ghana whom she came hoping to find. She is a stranger in search of strangers, and this fact leads her into intimate engagements with the people she encounters along the way and with figures from the past whose lives were shattered and transformed by the slave trade. Written in prose that is fresh, insightful, and deeply affecting, Lose Your Mother is a "landmark text" (Robin D. G. Kelley, author of Freedom Dreams).
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| | Product Details | | Author: | Saidiya Hartman | | Paperback: | 288 pages | | Publisher: | Farrar, Straus and Giroux | | Publication Date: | January 22, 2008 | | Language: | English | | ISBN: | 0374531153 | | Product Length: | 8.26 inches | | Product Width: | 5.56 inches | | Product Height: | 0.76 inches | | Product Weight: | 0.72 pounds | | Package Length: | 8.2 inches | | Package Width: | 5.4 inches | | Package Height: | 0.9 inches | | Package Weight: | 0.65 pounds | | Average Customer Rating: | based on 9 reviews |
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| | Customer Reviews | Average Customer Review: ( 9 customer reviews )
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Most Helpful Customer Reviews
16 of 17 found the following review helpful:
Roots 2.0 Jan 17, 2007
By Robert W. Kellemen
"Doc. K."
What "Roots" was to the Boomer Generation, "Lose Your Mother" could and should be to the Generation Next. Saidiay Hartman's writing styles fits perfectly for a generation that longs for and loves narrative, story, and first-hand journal accounts.
However, no one should thus assume that Hartman's writing lacks research credibility for she brilliantly weaves both rousing narrative and copious research to portray a powerful picture of one of history's ugliest stories: Middle Passage. She provides a fresh account of ancient wounds.
Hartman's book can and should make a renewed contribution to the healing of past hurts which still linger deep. Her passionate style and scholarly depth can help a nation move beyond suffering to healing hope.
Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction , Soul Physicians, and Spiritual Friends.
5 of 5 found the following review helpful:
Extraordinarily Insightful and Eloquent Jul 22, 2007
By John E. Pepper A deeply moving combination of history, personal memoir and deep reflection,particularly on the heroic and aspirational legacy of slavery as seen by this wonderful writer.
6 of 7 found the following review helpful:
Spectacular Mar 25, 2007
By Murray S Saidiya Hartman takes us on a journey that is intense, tough and thoroughly rewarding. Impressively, she learned as much about herself as she did about the past she sought, even more.
The beauty of going with her on this journey is that the reader has the same magnificent opportunity, hypnotically led by the author, to ponder and to gain personal insight perhaps too long submerged.
Kind of repetitious... Apr 22, 2012
By Joel B. Kirk There are some constant occurrences in "Lose Your Mother" that author Saidiya Hartman brings out to the reader:
1. Saidiya Hartman wants refuge from the racism of America.
2.She wants the Ghanians to welcome her with open arms.
3. She gets upset that they see her as a foreigner, an "obruni."
4. She is upset they don't acknowledge slavery, for what seems, on a daily basis.
Now, I agree that she would be a foreigner, since she is not of Africa; and being in another country...it is not surprising that slavery would not be on their minds consistently. (My main gripe is that Hartman spends majority of the book on this aspect, and chapter after chapter doesn't acknowledge that there actually are differences despite sharing the same skin color). Moreover, early on in the book I was confused because there aren't any captions with the pictures,and I was wondering if the stories started in the 19th century or early 20th century, etc. I was even more confused as she goes back to the present (when she laments that there isn't a connection between her and the Ghanaians) and the past, documenting slavery.
Hartman is also trying to find meaning of "African American"....which will differ between any black person living in America. (For example: I, myself, know I have heritage from Africa...and have the right like any "Italian American" or "Irish American" to call myself "African American").
Hartman believes the African American designator for herself is to create a connection between African blacks and black Americans. Something she plans on doing while living in the country.
Overall, the book, as pointed out by some readers, is indeed one-note (going back to the continuous lamenting that there are no connection between the author and the Ghanaians, and that the Ghanaians don't continuously acknowledge slavery day in and day out).
I would say this is good for a one-time read for those interested in Ghana, but nothing more.
** out of *****
Completing the puzzle Jan 14, 2009
By Lillian Duren
"Path ways through life"
I'm an indigenious Black. Finally the truth is told. The pieces suppled and the puzzle completed.
See all 9 customer reviews on Amazon.com
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