The book begins with a series of disjointed stories about Ondaatje's parents and grandparents. I found this part somewhat hard to get through as Ondaatje drops into the stories without providing the reader with the necessary information to understand who the players are and why they are important. However, since the book is highly impressionistic in style, perhaps this approach works. After all, most of us learn about our family history in bits and pieces; we don't pick up yarns and memory bites in chronological order.

The third section, "Don't Talk to Me about Matisse" is a literary treasure! Ondaatje weaves a travel journal with childhood memories. Ondaatje's journey through Sri Lanka and memory land is depicted with great passion and reflection: "I witnessed everything. One morning I would wake and just smell things for the whole day, it was so rich I had to select senses. And still everything moved slowly with the assured fateful speed of a coconut falling on someone's head, like the Jaffna train, like the fan at low speed, like the necessary sleep in the afternoon with dreams blinded by toddy."

Ondaatje generously included several of his poems in the middle of the book. "The Cinnamon Peeler", with its strong sensuality, serves as a fitting metaphor for the stories about romantic interludes in the author's family. "The Cinnamon Peeler" is so beautiful, I plan to commit it to memory.

Ondaatje dwells on the salient qualities of his relatives and homeland. If this book were a painting, it would be a mostly green wash of color with bright, blood red splashes. The red splashes could represent the tragedy so inherent in Ondaatje's family history. Alcoholism and mental illness rule the house in this family. There are many humorous moments, however, and Ondaatje delivers them with great bravado: "Lalla's great claim to fame was that she was the first woman in Ceylon to have a mastectomy. ... She kept losing the contraption to servants who were mystified by it as well as to the dog, Chindit, who would be found gnawing at the foam as if it were tender chicken." These hilarious memories give the reader a reprieve from the underlying tragedy like a much-needed downpour during a drought.

In the final sections, Ondaatje slowly reveals the many layers of his father's sad, but remarkable life. One chapter, called "Dialogues" merely consists of bits and pieces of conversations about his father. Whether Ondaatje imagined these conversations or actually heard them retold is not important. They give homage to his father in a unique and poignant way.

If you're looking for a travel journal on Sri Lanka, don't look here. But, if you want unforgettable impressions of an exotic land and a remarkable family, if you yearn for a memoir rendered with the finest of literary care, "Running in the Family" will surely please.

26 of 30 found the following review helpful:


Lush and Beautifully Written  Apr 21, 2000
I thought that this was a beautiful book but I wouldn't recommend it to everyone-if you're the type whose reading is limited to thrillers and soppy romance then I doubt this would do for you. But if you like imaginative, beautiful, flawless writing, like me, then you'd love this wonderful memoir everybit as much as I did. Ondaatje transports you into his world through his witty, tender and sensual writing...in places it reads like a poem. Running in the Family is sort of like a sketchbook...filled with humourous anecdotes, sensual poems and glimpses of beauty and history...and of course, his outrageous family. Even though I live in Sri Lanka and am familiar with most of the places and things he writes about I was still delightfully stunned by the way he adds new insight and meaning and beauty to these things. Also, I used to imagine that memoirs were dull and boring...but I totally regret my words now. This is hilarious (though in places exaggerated), beautiful and powerful stuff and I give it my highest recommendation.

17 of 19 found the following review helpful:


For Those Who did not love "Anil's Ghost"  Apr 03, 2001 By Gertrude Wellikoff
No author can make every book work. It's unfair to expect that. This is the first Ondaajate book I read, make that: devoured. I loved the non-linearity, the depth of love for his home country, the characters gathering and separating. I write this review because I believe strongly that Anil's Ghost is the companion piece to "Running in the Family" and less well-done, less artful. But this book more than makes up for the flaws in the later book. Perhaps the kleig lights of fame are too hot for a writer to work at his best. I say that because the author of this book is so gifted and has so much to evoke that I expect he will do so again, maybe not in his beloved, insane Sri Lanka, or maybe back there again. So, in closing, If you despaired of loving "Anil's Ghost" read this and you're efforts will be fully redeemed.

9 of 9 found the following review helpful:


Poetic prose at its pinnacle of excellence  Sep 30, 1999
Ondaatje makes prose poetic like no other writer, and this is his best example of poetic prose. Divided into many fragments, each fragment is as dense as a small poem, as alive with imagery, and yet still contributes to the narrative as a whole. A wonderful merge of history, fiction, truth, and lie, Running contains not only the most mournful writing I have ever read, but also the most sexually charged poem, and the most loving treatment of an imperfect family. Excellent reading, even on your tenth time through

8 of 8 found the following review helpful:


for all that is painful and beautiful in our pasts. . .  Aug 03, 1999
This continues to be one of my favorite books. I give copy after copy away to new friends when I recognize theirs as families whose best intentions and selfish motivations collided in the making of their lives. While Ondaatje's post-colonial collage is partly the story of the love and destruction of the idea of Ceylon, it mostly speaks not just of his family, but of the way we all share stories and romanticize our selves. The erotic poem "The Cinnamon Peeler's Wife" is alone worth the cost of the book.

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